Howard Hill
by Peter Swanson
He must have had hands
that could deliver a martini
with a meniscus across a shuddering room
of dancing inebriates
all the way to his best girl,
never a spilled drop. He must have had a heart
as big as a breadbox,
vision exact as bomb sights,
and when, in 1938, he was asked
by some studio man
to do all the archery work
on the new Robin Hood picture with Flynn—
to fire arrows
toward the chests of stuntmen—
he must have said yes without a flash of hesitation.
When he saw the square
of balsa, felt-backed, steel-plated,
fitted under the costumes, he must have seen a target
he could master
like the prune he could pluck
off the head of a man a half a football field away.
And when, on Curtiz’s cue,
he launched the first arrow
through the smoke-blue air of the set to land,
note-perfect, quivering,
into the chest of some underpaid player,
he must have looked more myth than mortal,
at least seven feet tall,
lighting a smoke with no wasted moves,
eyes already hunting into the distance, designing
arcs yet to happen, ready
to take his mark and shoot
another shaft safely toward the heart of a man.
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