Hitchcock's first film, made in Germany with English/German financial backing, and a mix of English and American actors. Hitchcock didn't like it and wanted audiences to consider
The Lodger as the first true Hitchcock film, but I thought this was a terrific movie. The melodramatic plot, about two chorus girls and their up-and-down love lives, is silly but it moves fast and plenty happens. The acting is fun; in particular, Miles Mander as an emaciated alcoholic who marries one of the showgirls, is truly disgusting, twitching and sweaty as he murders the native girl that he's taken as a second wife in the tropics. Her ghostly presence haunts him, emerging out from the mosquito netting in his bedroom.
The opening sequence of the film is pure Hitchcock, as scantily clad chorus girls strut onto the stage, and Hitchcock films the leering men in the front row, voyeuristically watching, and practically licking their chops. There is also a good amount of humor interspersed in the plot, including the true star of the film, Cuddles, a mutt owned by one of the chorus girls.
Interesting to note that Alma Reville (her and Hitchcock became engaged during the filming of
The Pleasure Garden) gets a credit as an assistant director in this film. Below, Cuddles (sadly, the dog's true name has been lost to film history).
