Showing posts with label olivia williams. Show all posts
Showing posts with label olivia williams. Show all posts

Wednesday, October 12, 2011

Peter Pan (2003)

I'd been meaning to see this version of Peter Pan since it came out. I'd always heard good things and I finally got the chance last night: on the big screen no less. Thank you Brattle Theatre. It didn't disappoint: a faithful, entertaining, dark, imaginative version. It was a little too frenetic at times, and the ending was a little over-the-top sentimental but those are relatively small complaints. My favorite performances: Jason Isaacs was superb in the dual role of Mr. Darling and Captain Hook, Ludivine Sagnier was almost too strange but also strangely perfect as Tinkerbell, and Olivia Williams was a beautiful (natch) Mrs. Darling. Jeremy Sumpter and Rachel Hurd-Wood were good enough as Peter and Wendy.

The rumors on this film, directed by P. J. Hogan, were that it went wildly over budget. At least it shows with some stunning, and creative, special effects work. I loved that the film didn't go whole-hog on CGI--that there are all sorts of other special effects techniques, including a pretty charming animatronic parrot.

Sunday, March 28, 2010

The Ghostwriter (2010)

I read the book this film is based on, called The Ghost and written by Robert Harris. I even reviewed it (see here) and one of the nice things about the book was that it was so forgettable that seeing the movie two years later I'd forgotten most of the plot details. Maybe in a few years time I'll catch the film again on cable and it will be like seeing it for the first time.

Well, it is kind of a forgettable film, certainly not one of Polanski's best, but I still liked it. It's got swirling rain, and wintry colors, and Olivia Williams, one of my favorite actresses, who has a much bigger role than her position on the cast list would indicate. The basic plot involves a Tony Blairesque ex-prime minister, played well by Pierce Brosnan, who hires a ghost-writer (Ewan McGregor) to pen his autobiography when his previous ghostwriter mysteriously dies. It's paced well, slower than most contemporary thrillers, and it has genuine atmosphere, enough to cover up some of the hokey thriller cliches. All in all, a decent rainy afternoon film.