I saw Saboteur again last night on the big screen at the Brattle in Harvard Square. It's very middling Hitchcock, a film that never completely comes together, in plot or vision. I do, however, love the last scene, the only famous moment in the movie when the hero and villain climb out onto the torch of the Statue of Liberty. One of the things I love about the sequence is how varied the shots are. We don't just get an establishing shot of the statue followed by close-ups of the action, we get this complex series of Matte shots. Here's a few of them below. Maybe next I'll re-watch the first X-Men film and compare their sequence that takes place on top of theStatue of Liberty. I remember the action being great but I don't recall any cuts to a longshot of the statue at all.
Robert Boyle, who was a four-time Oscar nominee as an art director and production director, passed away Sunday at the age of 100. He had a long, amazing career, including his work as an art director and/or production designer on six Hitchcock films. Saboteur, Shadow of a Doubt, North by Northwest, The Birds, and Marnie.
Below are six of my favorite frames from those films.
Writer of crime fiction and poetry. Consumer of TV, movies, genre novels, and scotch. My novels, The Girl with a Clock for a Heart, and The Kind Worth Killing are published by William Morrow.